Showing posts with label Aussie Speculative Fiction. Show all posts
Showing posts with label Aussie Speculative Fiction. Show all posts
Saturday, 2 February 2019
ASF Book Review #4 'If I Wake'
Welcome to my first Australian Speculative Fiction book review of 2019. Honestly I'm rather excited about all the great books I'm planning to read this year, and there's so many exciting books on their way too.
The book I'm reviewing today is 'If I Wake' by Nikki Moyes. 'If I Wake' was her debut novel, released in 2016, and it's a really impressive debut. Here is the cover:
'If I Wake' is a powerful tale of a bullied teen in High School, Lucy. Her favourite class at school is History, but even there she isn't safe from being ridiculed and bullied by the other students. Lucy gets little sympathy or support from her stressed single mother, who herself is lonely and is fighting her own battles.
Lucy's only happy place in her dreams. Every year since the disaster of her eleventh birthday party, Lucy's dreams have taken her to the past. Each time a different location, a different century, but there is always one constant. Will. Actually, there are two constants. She only wakes up in the real world after she dies in her dreams. Despite the constant dangers in these dreams, because of her constant and unquestioned friendship with Will, her acceptance by his family, she much prefers the dreams over her lonely and friendless life.
Things go from bad to worse for Lucy when her mum gets a new boyfriend, Frank. Not only has the bullying at school got worse, but now she feels unwelcome in her own home. It seems like an unendurable eternity before her upcoming seventeenth birthday, her next chance to visit Will. Something has to break, and in the end, it's Lucy. Against all these struggles, without a friend in the world, her thought turn to suicide. But she doesn't want to leave without seeing Will one last time.
There's a lot of really good things about this book, it's powerful, it's accessible, it's written well. Personally, I'm not a huge fan of time travel stories where the characters go back in time. This is because they are very predictable, people meet Napoleon, kill Hitler, help some American president. blah blah blah. But this book handles it differently. Lucy finds different incarnations of Will; Wu, Walker, Villius, Wilhelm, William, Billy and Willis. They are regular people, struggling with the dangers of their time, and I really enjoyed that aspect of it.
As previously mentioned, each of Lucy's dreams ends when she dies in the dream. In one of those dreams, Lucy was killed when a military base was attacked in an air raid, and after that dream, Lucy became afraid of aeroplanes. I really liked that element, yet at the same time I was disappointed, because that hadn't happened before. In a previous dream, Lucy died after being bitten by a snake, but there wasn't any mention of her becoming afraid of snakes after that. It's only a minor criticism, but I would have liked it if she brought something like that back from each dream.
All in all though, I really enjoyed 'If I Wake' and thing it's a really good debut! I am looking forward to reading Moyes' upcoming novel 'The Destroyer' - hopefully that will be released soon!
To find out more about what Nikki is up to, find her on twitter @NikkiNovelist, or her FB author page here.
For other Aussie Spec Fic book reviews, have a look at the Aussie Speculative Fiction website.
Saturday, 15 December 2018
ASF Book Review #3 - 'Beginnings'
My last Australian Speculative Fiction book review of the year will be something a little different, for two reasons. Instead of a novel, the book is an anthology of short stories. And it's an anthology that not only features one of my own short stories, but 'Beginnings: Australian Speculative Fiction Anthology Vol. 1' is something that I helped put together as well.
In the middle of 2018 there was a post in a Facebook writing group asking if other Australian authors who wrote speculative fiction would want to create their own group for supporting each other, for sharing writing advice. And so the Australian Speculative Fiction group was formed. From there, it was only a short while before we had the idea to create our own anthology. Six months later, we released 'Beginnings' - which makes it sound easy. It was not easy. But we did it. And here it is - isn't that cover amazing, by the way?
Firstly, what I love about this collection of short stories is the diversity. While there may be a few sci-fi or fantasy stories, each is unique and takes you on a very different journey. One of the benefits of this is that it exposes the reader to different genres than they would normally read - personally I've never been interested in the paranormal/supernatural genres (witches, werewolves and vampires), two of my favourite stories in 'Beginnings' are about witches - 'The Morrigan' by Maddie Jensen and 'Dealt in Sin' by Sasha Hanton.
Between stories set amongst the stars are tales set in our own backyard. Stephen Herczeg's 'Bus Trip' is about a student taking the bus home from Canberra to Adelaide for the Christmas holidays. Belinda Brady's 'Break the Spell' gives me the familiar imagery of Melbourne's Royal Arcade. 'When the Lights Went Out' (Lachlan Walter) is an intriguing sci-fi piece set in the Victorian countryside, and Rebecca Dale's 'Bugles Bred & Bugles Born' centres around the unbelievable events at one of Sydney's Westfield shopping centres. 'Bugles Bred & Bugles Born' is one of the most unique stories in the anthology, and honestly I don't know how to define or describe it, but the ending still sends shivers up my spine it's that good.
The theme of 'Beginnings' is explored in a variety of ways, from starting life over in a new city ('The Teacup' - Austin P. Sheehan) from starting over alone on a brand new world ('Portals' - A. A. Warne) and from the transition from life to the afterlife ('Next Journey' by Chris Foley and 'The Beginning of the End' by Carolyn Young).
Amongst a collection so diverse, it should be hard to pick a favourite. But 'The Inheritance Experiment' by Kel E. Fox is an absolute standout. It's the story of an Austrian girl, stolen from her family home and subjected to horrible experiments, before being flung into the carnage of World War One. It's a compelling story, and - like every good short story should - it leaves the reader wanting more.
In conclusion, this is a thoroughly enjoyable collection of diverse short stories. There's something in there for everyone, and many of the stories are so good they're worth re-reading.
Here's a link to the Aussie Speculative Fiction website, for information about the group, where you can read more reviews of books by Australian Speculative Fiction authors, and see exclusive flash fiction pieces and author interviews.
Here's a link where you can buy the 'Beginnings' Anthology where it's currently being sold exclusively through Amazon.
In the middle of 2018 there was a post in a Facebook writing group asking if other Australian authors who wrote speculative fiction would want to create their own group for supporting each other, for sharing writing advice. And so the Australian Speculative Fiction group was formed. From there, it was only a short while before we had the idea to create our own anthology. Six months later, we released 'Beginnings' - which makes it sound easy. It was not easy. But we did it. And here it is - isn't that cover amazing, by the way?
Firstly, what I love about this collection of short stories is the diversity. While there may be a few sci-fi or fantasy stories, each is unique and takes you on a very different journey. One of the benefits of this is that it exposes the reader to different genres than they would normally read - personally I've never been interested in the paranormal/supernatural genres (witches, werewolves and vampires), two of my favourite stories in 'Beginnings' are about witches - 'The Morrigan' by Maddie Jensen and 'Dealt in Sin' by Sasha Hanton.
Between stories set amongst the stars are tales set in our own backyard. Stephen Herczeg's 'Bus Trip' is about a student taking the bus home from Canberra to Adelaide for the Christmas holidays. Belinda Brady's 'Break the Spell' gives me the familiar imagery of Melbourne's Royal Arcade. 'When the Lights Went Out' (Lachlan Walter) is an intriguing sci-fi piece set in the Victorian countryside, and Rebecca Dale's 'Bugles Bred & Bugles Born' centres around the unbelievable events at one of Sydney's Westfield shopping centres. 'Bugles Bred & Bugles Born' is one of the most unique stories in the anthology, and honestly I don't know how to define or describe it, but the ending still sends shivers up my spine it's that good.
The theme of 'Beginnings' is explored in a variety of ways, from starting life over in a new city ('The Teacup' - Austin P. Sheehan) from starting over alone on a brand new world ('Portals' - A. A. Warne) and from the transition from life to the afterlife ('Next Journey' by Chris Foley and 'The Beginning of the End' by Carolyn Young).
Amongst a collection so diverse, it should be hard to pick a favourite. But 'The Inheritance Experiment' by Kel E. Fox is an absolute standout. It's the story of an Austrian girl, stolen from her family home and subjected to horrible experiments, before being flung into the carnage of World War One. It's a compelling story, and - like every good short story should - it leaves the reader wanting more.
In conclusion, this is a thoroughly enjoyable collection of diverse short stories. There's something in there for everyone, and many of the stories are so good they're worth re-reading.
Here's a link to the Aussie Speculative Fiction website, for information about the group, where you can read more reviews of books by Australian Speculative Fiction authors, and see exclusive flash fiction pieces and author interviews.
Here's a link where you can buy the 'Beginnings' Anthology where it's currently being sold exclusively through Amazon.
Saturday, 17 November 2018
ASF Book Review #2 - 'What the Woods Keep'
Welcome to my second review of Australian Speculative Fiction novels.
Today I'm reviewing What the Woods Keep, a spellbinding debut by Katya De Becerra. And here it it's gorgeous cover!
Katya has lived in and explored Russia, America and Peru before migrating to Australia and studying cultural anthropology. Her love of science and anthropological studies are apparent throughout this novel, which add a sense of realism to the piece. I also got the impression that the story combines the myths and folklore of her European roots with the locations she might have lived in or explored while in America.
The story focuses on Hayden, an eighteen year old girl whose life has only just started approaching normal after the loss of her mother near the woods of their Promise home ten years ago. On her eighteenth birthday the lawyer managing the estate of her mother calls her, there's something that her mother wanted her to have - the family home in Promise. And a handwritten card with a creepy message, for good measure. It turns out there a secrets her parents kept from her, questions that can only be answered about her family, and about herself, by returning to Promise.
But What the Woods Keep is about more than revealing a family's secrets, but about accepting yourself, accepting change, about reconciling the known and the unknowable, the mysteries of the universe. It's so good, and I really don't want to spoil it for anyone! The mysterious, eerie build-up is superb, and the last ten chapters are an intoxicating, unpredictable thrill-ride, and up 'til the end you won't know how it ends.
There's a lot that I love about What the Woods Keep. I love how dark and creepy it is, I love that it's about the friendship between Hayden and Delphine. I love the scientific angle the MC takes to rationalise unexplainable phenomena, to explain the complexities of life, it's all really cleverly done and engaging. One thing I really loved was the German / European mythology, with the Nibelungenlied a recurring theme. Another thing that was done well was the inclusion of documentation providing more background on what's happening - from Hayden's psychologist, her father's work journals, and her own diaries.
I've long thought that one of the marks of a good book is how long it stays with you after you've read it. And this book does that - it's been a week since finishing it, and I haven't been able to move on, I'm still thinking about the book and the questions it has left me with - about time travel, about Hayden's mother, about what has been left in the woods, but - most pressingly - if there might be a sequel!
Criticisms. It's a book that's hard to criticise, to be honest. It struck me as odd that in this book where Hayden's searching for her long-lost, long-dead mother, that it's her living father who is undoubtedly there that's strangely absent. The other thing was the secret research facility in Promise. I felt from the outset that they would be a key antagonist, that they'd capture Hayden and reveal their nefarious intent, or at least more actively oppose Hayden's actions, but... It could be a really clever red herring too - who wants really predictable books anyway?
Ultimately, What the Woods Keep is a really clever, really engaging read and I'm already looking forward to De Becerra's next book!
Here's a link to Katya's own blog where you can find out more about her and buy a copy of What the Woods Keep, though you'll likely find a copy in your nearest bookshop too!
Here's a link to a new Aussie Speculative Fiction website too!
Follow me or stay tuned fro more book reviews!
As for me, it's the middle of November and I'm about a third of the way into my NaNoWriMo project! The dragons are dragony, and the humans - well they're not turning out quite how I anticipated, which just adds to the fun!
Saturday, 13 October 2018
ASF Book Review #1 - 'Eve of Eridu'
Welcome to my first book review!
At the moment, I'm all about celebrating Speculative Fiction written by Australian authors. Speculative Fiction, of course, is an umbrella term covering the genres of Science Fiction, Fantasy, Horror, Dystopian, Utopian, Superhero, Supernatural etc.
And here's my first book, 'Eve of Eridu' by Alanah Andrews.
And here's my first book, 'Eve of Eridu' by Alanah Andrews.
I'm going to let you all in on a secret first. Alanah's actually from New Zealand. But like Phar Lap, the Pavlova and Russell Crowe, we'll have to claim her as our own, this book was that good!
So, 'Eve of Eridu' is about a girl called Eve, who lives - wait for it - in Eridu. Eve has lived her whole life committed to suppressing her emotions, just like everyone else in Eridu. She's been the perfect student, constantly at the top of the leaderboard, everything is as going as well as it can in her post-apocalyptic world.
So, 'Eve of Eridu' is about a girl called Eve, who lives - wait for it - in Eridu. Eve has lived her whole life committed to suppressing her emotions, just like everyone else in Eridu. She's been the perfect student, constantly at the top of the leaderboard, everything is as going as well as it can in her post-apocalyptic world.
That is, of course, until her brother - like her an exceptional student at the top of his leaderboard - fails the harvest. Instead of being assigned a role in the new world, he is culled. And Eve has to be content with that. To be content is to be free, says the Book of Eridu, which all citizens do their utmost to follow. After all it has been proven that emotions - love, greed, jealousy, anger and hate - had caused the wars of history and resulted in the destruction of the world. The scant thousands who lived underground in Eridu were all that was left of humanity, and they could not allow the mistakes of the past to be repeated.
Eve struggles to be content with the sudden and unexpected loss of her brother, and to make things worse, there's a new kid, Sam, who won't leaver her alone. Struggling to keep her monitor a calm blue, and with it her place on the leaderboard, Eve's emotions threaten to overwhelm her, threaten her chances of surviving the upcoming harvest. But not only does she have to pass the tests, she needs to uncover the secrets behind Sam's mysterious appearance, and confront the chilling truths of the world the founders of Eridu created.
Andrews has crafted this dystopian post-apocalyptic society superbly, and it is sure to send chills down your spine. One of the remarkable components of this story is the Grid, which is in effect a digital afterlife, where the essences of Eridu's citizens are transferred to when they are culled or die. Eve is a compelling character, confronted with a staggering challenge and a mystery that might shake her to the core. The one criticism that I have is that it was too short, I would have enjoyed more exploration of the changing relationships Eve had with Sam, her colleagues, guardians and the overseers of Eridu. But I say that about almost every book I read - I always want more!
Ultimately it's an excellent story about a teen struggling to fit in, struggling to be the person everyone expects her to be.
For more, go to her website.
Here's a link to the book on Amazon.
For now, I've got an edit of my own manuscript to complete and send to an editor, as well as completing three short stories before November arrives. November, of course, brings the madness of NaNoWriMo, where I will be diving into my Alternate-History Germany novel. Yes, that's right. The one with the dragons.
Keep tuned for more news and more reviews!
Saturday, 1 September 2018
Change. It's in the air. It's everywhere.
Change.
That's what it's all about. Everything is in a constant state of change, that's true of our planet, ourselves, and our communities. Is change always good? No. But neither is resisting every change, and spending your days longing for a return of "the good ol' days."
Before I continue, I have to let you know that while writing this piece about change, I am listening to 'Around the Fur' by Deftones, which has been one of my favourite albums since I first heard it in 1997. And despite it still being an amazing album, the entire entertainment industry has changed since it's release. Digital streaming of TV and music, the vinyl revival, e-readers and the ease of self-publishing your own books online, and the increasing influence of social media.
One of the biggest changes though is the diversity of the creators. Of course, People of Colour have always been creating and contributing, but now they are no longer on the periphery. Well not as far out as they used to be. The success of Tomi Adeyemi's 'Children of Blood and Bone,' Kevin Kwan's 'Crazy Rich Asians,' Angie Thomas' 'The Hate U Give,' and N. K. Jesmin's Hugo Award Winning 'The Broken Earth' series are each stunning examples of this. And it's amazing and wonderful that this change is happening, that we can all enjoy these stories. And I've got no way of knowing how it would feel for people of African or Asian heritage to have these books and movies where the characters they can identify with are the main characters, not just token, stereotypical side characters. But that's got to be powerful. That's got to be revolutionary.
Let's go back to 1987's 'It's The End Of The World As We Know It (And I Feel Fine)' by R.E.M. I once subscribed to a theory that with every second, with every breath, the world as we knew it ended. Every new piece of information that we received changed the world, or our perception or what we knew about it. Change on a much smaller scale. My own life has changed. Three Septembers ago I got married to an amazing, funny, beautiful woman, and my life changed. Two Septembers ago my wife and I had just brought a house. And my life changed. Last September I had almost finished writing my first novel, and this September the Aussie Speculative Fiction group, which I'm a part of, is getting ready to publish an anthology of short stories. Submissions are still open, so if you're a Australian Speculative Fiction writer, feel free to go to the website and submit a short story (obviously check the guidelines first).
Despite the submissions still being open, the other panel members and I have announced our first successful submission.
Every book, every story, is about change. The characters change, and perhaps through their actions, they change the world. Or the world changes, and the characters need to find their place in the new world. The change in 'When The Lights Went Out' is subtle, unnerving, wonderfully thought out and executed. It's a short story that keeps you guessing, and stays with you after you've finished reading it. I am really excited about getting this anthology out there, and sharing a selection of wonderful stories with the world.
That's what it's all about. Everything is in a constant state of change, that's true of our planet, ourselves, and our communities. Is change always good? No. But neither is resisting every change, and spending your days longing for a return of "the good ol' days."
Before I continue, I have to let you know that while writing this piece about change, I am listening to 'Around the Fur' by Deftones, which has been one of my favourite albums since I first heard it in 1997. And despite it still being an amazing album, the entire entertainment industry has changed since it's release. Digital streaming of TV and music, the vinyl revival, e-readers and the ease of self-publishing your own books online, and the increasing influence of social media.
One of the biggest changes though is the diversity of the creators. Of course, People of Colour have always been creating and contributing, but now they are no longer on the periphery. Well not as far out as they used to be. The success of Tomi Adeyemi's 'Children of Blood and Bone,' Kevin Kwan's 'Crazy Rich Asians,' Angie Thomas' 'The Hate U Give,' and N. K. Jesmin's Hugo Award Winning 'The Broken Earth' series are each stunning examples of this. And it's amazing and wonderful that this change is happening, that we can all enjoy these stories. And I've got no way of knowing how it would feel for people of African or Asian heritage to have these books and movies where the characters they can identify with are the main characters, not just token, stereotypical side characters. But that's got to be powerful. That's got to be revolutionary.
Let's go back to 1987's 'It's The End Of The World As We Know It (And I Feel Fine)' by R.E.M. I once subscribed to a theory that with every second, with every breath, the world as we knew it ended. Every new piece of information that we received changed the world, or our perception or what we knew about it. Change on a much smaller scale. My own life has changed. Three Septembers ago I got married to an amazing, funny, beautiful woman, and my life changed. Two Septembers ago my wife and I had just brought a house. And my life changed. Last September I had almost finished writing my first novel, and this September the Aussie Speculative Fiction group, which I'm a part of, is getting ready to publish an anthology of short stories. Submissions are still open, so if you're a Australian Speculative Fiction writer, feel free to go to the website and submit a short story (obviously check the guidelines first).
Despite the submissions still being open, the other panel members and I have announced our first successful submission.
Every book, every story, is about change. The characters change, and perhaps through their actions, they change the world. Or the world changes, and the characters need to find their place in the new world. The change in 'When The Lights Went Out' is subtle, unnerving, wonderfully thought out and executed. It's a short story that keeps you guessing, and stays with you after you've finished reading it. I am really excited about getting this anthology out there, and sharing a selection of wonderful stories with the world.
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